About the Artist

My practice approaches painting as an embodied and ritualized process through which perception, bodily awareness, movement, and material transformation continuously interact. Rather than beginning from predetermined images, the work emerges through fluctuating psychological, sensory, and environmental conditions experienced in real time.

I am interested in how transient internal states — tension, obsession, instability, concentration, absence, exhaustion, or sensory overload — become physically embedded within gesture, repetition, and material surfaces. Painting functions not as representation, but as a temporal condition in which cognition, bodily action, and material behavior briefly converge.

I do not approach painting as the production of autonomous images, but as the residual trace of an event — a temporary convergence between body, cognition, sensation, environment, and material process. Impermanence is therefore not treated as a theme alone, but as a structural condition underlying perception, memory, and existence itself.