Metamorphosis

Masaaki's work attempts to resolve the profound gap between the understanding of feelings and their logical, verbal explanation. The artist's personal life combined with his powerful sensitivity makes him capable of translating his synaesthetic experiences into paintings of an expressionist character. His gesture, at the same time fleeting and forceful, together with his knowledge of various languages, allows him to express in a fluid way his main concerns about life, human relationships, his feelings in contrast with the context he chooses and inhabits.

On this occasion, with his series "metamorphosis" he takes a logical step in which he intends to transfer in a more evident way the capacity given to the spectator to close the meaning of the work, assuming that without the work that corresponds to the spectator to feel through his observation the work would never be complete.

Masaaki proposes again, this time using a Japanese calligraphy brush and only the combination of three colors: black, white, and red, a game of perception that invites the spectator to "fill" the emptiness with his experience of what he has lived. A dance to which the word, once again, arrives late...